This video will give you some ideas of the musical ideas you can create with WaveDrag. This particular version uses two channels, controlled by Wiimotes instead of the mouse and keyboard, and it’s meant to be one part in a 4-piece ensemble, so it’s a bit fuller than you’ll be able to achieve at a times and too sparse at other times, but you might still find some licks you can borrow for your assignment—I’m using one of the same sounds you are!
I was excited to return to greater Helsinki to present my work at the Sound and Music Computing conference at Aalto University. I also got to record with some more of the terrific improvisers in the area! I performed Shankcraft with Sergio Castrillón, presented Raveshift (installation), and a paper on Ferin Martino.
MusInfo’s Art & Science Days will include a new work of mine, commissioned as a result of wining Second Prize in the Concours de Bourges. They also asked me to give the featured lecture on relationships between art amd science. I’m looking forward to visiting MusInfo and meeting violinist Emma Lloyd (Scotland/Paris), who will premiere my new work, in Bourges, France!
I just received word that my work was one of 18 pieces (out of 200+ submissions from 35 countries) for the CEMI Circles festival tutus October at my alma mater, the Center for Experimental Music and Intermedia at the University of North Texas. I know the venue well for helping upgrade and run it as a doctoral fellow: it’s going to rock the Merrill Ellis Intermedia Theater with its 28.3 channel speaker system and three screens!
I’m very honored to have received First Prize in Portugal’s Viseu Rural competition for sound art exploring the expressive potential of their soundscape archives!
For more information about the competition: http://binauralmedia.org/news/en/arquivo/9504
For more information about my prize-winning entry: Click here
In fall 2010, German Cellist Ulrich Maiß collaborated with TAMU students to create a full concert of new works using technology and improvisation as part of his ZenMan touring program. (Click here to see that performance.)
In spring 2016, Maiß returned to TAMU on his ZenMan X tour. Inspired by the recent release of performance materials by cellist and performance artist Charlotte Moorman, and reflecting on the fact that her work can now be experienced only through its documentation, often scant and poor in quality, Maiß and TAMU’s students created works of “performance for video”—live performances that consider all aspects of the live moment, created with more than just pitches and rhythms, works that were necessarily written for cello (or cellist) in some way, and whose significant features can still be experienced through its video documentation.
The entire performance is below in program order. Click each composer’s name to read artistic statements and portfolios of research, development, and creative work leading up to the creation of this performance. Continue reading
An immersive audiovisual composed improvisational environment. The performance is structured to juxtapose horizontal and vertical gestures (e.g., for percussion, rubbing versus striking). All digital sound is sampled from the acoustic instrument live during the performance. All video is a live processed feed of the performer’s arms at work, exploded into full textures that immerse the audience in the sensation of the actions that are causing the sounds they hear.
Rehearsal with Sergio Castrillón, cello (https://sergiocastrillon.com/) at Korjaamo, Sound and Music Computing Conference, Helsinki, Finland
The voice of the machine / How our devices party when we’re away: Listen to the wide variety of timbres, rhythm, and textures that come out of a simple feedback loop and ONLY a 1 second delay—no other processing besides acoustic effects of the room and moving bodies around the speakers.
Developed while in residency at the Atlantic Center for the Arts, at I-Park, and at the Atlantic Center for the Arts again. Premiered in four channels at the Sound and Music Computing conference (SMC) in Greater Helsinki, Finland.
Here’s a demo of the four-channel version:
Or with video, using the new live video engine I created for Shankcraft with Joe Hertenstein:
At the Atlantic Center for the Arts