Recorded while in residence at the Atlantic Center for the Arts
Harald Kisiedu (alto sax) improvising with Jeff Morris (Texas A&M University) playing Baby, the 1980s vintage mixer turned into a feedback instrument.
The Collected Solo Piano Works of Ferin Martino, as Conjured by Your Presence in the new Moss Arts Center at Virginia Tech.
Do you do live sampling in your improvisations? Join us in the Live Sampling mix on Weblogmusic! Just video yourself playing along with the first track (below), using it as your ONLY SOUND SOURCE, post it on YouTube, and send it to us. Details are at http://weblogmusic.org . To keep the mix pure, even the first track is built by using itself as a sound source: simple acoustic feedback.
Computer improvisers! If a lot of the action during your performance happen’s on your computer’s display, join me in the Screen Capture mix on Weblogmusic! Here’s the first track: just improvise along with it, record your screen (you can edit your hands in too if you like), post it on YouTube and send us the link! Details at http://www.weblogmusic.org/
The classic Airstream trailer looks fast, even when it’s standing still. Architect Edward Noonan amplified this effect when he installed an Airstream trailer on the roof of the building at 1807 W. Sunnyside Ave., because he “didn’t want to haul an Airstream across the country to go do things.” (It’s officially named the Gentle Annie Stafford Pavilion and Conference Center.)
Only visible to passing trains, this stationary trailer embodies Noonan’s statement: you don’t have to go in order to do. To people sitting idly on the passing trains, they feel like the stationary ones, with the world—and the Airstream— slipping past them.
This piece gives florid flurries and jazzy lines to low instruments to reflect the juxtaposition of smooth lines and heavy materials in the Airstream. The electronic sounds are derived from audiovisual source recordings from the site. All sounds you hear are “carved” from the source recordings of trains passing the building, and melodic and harmonic contours are shaped by video material taken from the trains as they pass the trailer.
The culminating quirky jazzy tune is a transcription of the safety message heard on one of the trains. Its text harkens back to Noonan’s impulse to do something out of the ordinary, his stories of how it confused people and frustrated authorities, and ultimately allowed him to take the trailer where he really wanted to go. The message encourages you to “[be] observant of your surroundings” and “report any suspicious behavior or items,” with the key slogan, “If you see something, say something.” While on the surface it raises suspicion of anything nonconformist, you could also take as encouragement to watch for the quirks of life like the Airstream as you pass by, maybe go inside and follow where you mind wants to go, see what you see in your mind’s eye, and share it with the world.
Kelly Kennedy, “An Airstream on a Roof?” Chicago Tribune, August 27, 2005, updated August 30, 2005, http://articles.chicagotribune.com/2005-08-27/news/0508270054_1_airstream-roof-train
The melody was taken from the recorded safety message played on the passing train: Continue reading
While modern citizens are busy keeping up with communications technology, they are missing out on many human elements in communication like presence and authenticity. While some say we will get used to life mediated by screens and some prefer to wait for technology to get fast enough so we can recreate some of those human elements, there is value for artists in exploring the expressive potential of liveness as a unique dimension in a performance. Aesthetic concepts are established to show what is lost when a performance Continue reading
Generative Art International Conference Continue reading