Over the years, I’ve developed a model for composition interdisciplinary/intermedia performances and have used it to devise performances with my students, typically getting a dozen students involved in one performance. I can do this at your school too, adapting an existing composition to your students’ skills or working with them to create a completely new performance. I can also do extended intensive residencies in which students develop Continue reading
Research Embodied, a site-specific intermedia performance created for the Lyndon B. Johnson Presidential Library with designer Autum Casey was selected as a finalist from 70 international submissions, performed on October 19, 2011, and awarded third prize in the Music in Architecture—Architecture in Music symposium in Austin, Texas.
Co-created with designer Autum Casey, Research Embodied is an intermedia performance designed for the Great Hall of the Lyndon B. Johnson Presidential Library with musicians performing with amplified books and QWERTY keyboard, footsteps, and movement (in front of a camera-triggered synthesized carillon), along with two large video projections and five actors.
Acoustically, we highlight how the Great Hall amplifies presence in the space. The reverberation preserves instants in time, mirroring the function of a library. Visually, we merge the view of the archives with a glimpse of their contents. Functionally, we scripted and made music form the activities of participants in the Great Hall and scholars in the stacks. Conceptually, we call attention to the union and separation of the public and scholars and the challenges of moderated access to information.