Texas A&M University hosted the World War I conference, “1914 and the Making of the 20th Century” and as a part of it, the Theatre Arts program produced Journey’s End by R. C. Sheriff, directed by Anne Quackenbush. I directed some exciting developments in sound design for the show, which you can read about here: link.
International Journal of Art, Culture and Design Technologies (IJACDT), vol. 2, no. 1. As a relatively young department in an aesthetically conservative, remote college town, the Department of Performance Studies at Texas A&M University is building a culture of innovation through strategic facility development, a focus on students sharing work through public performance, and a commitment to interdisciplinary collaboration. The authors have embraced the celebrated strengths of their university in STEM fields (Science, Technology, Engineering, and Mathematics) by developing interdisciplinary experiences and inspiring facilities (through technology and curriculum grants). These experiences contribute to the university at large by demonstrating how technology can connect with the human element and how technology impacts human expression. The authors’ Music, Performance Studies, and Theatre Arts students benefit by joining the faculty in exploring the new and also rediscovering the traditional
We had some fun with the sound design for the TAMU mainstage production of Prelude to a Kiss directed by Anne Quackenbush. In addition to using music from TAMU alumni band The Heart is a Lonely Hunter (some of which was recorded in our own studio), the music for the new age wedding ceremony is an algorithmic composition featuring Theatre Arts and Music student J.J. Ceniceros. We called the project Pomegranate Aspiration. Continue reading
Research Embodied, a site-specific intermedia performance created for the Lyndon B. Johnson Presidential Library with designer Autum Casey was selected as a finalist from 70 international submissions, performed on October 19, 2011, and awarded third prize in the Music in Architecture—Architecture in Music symposium in Austin, Texas.
Co-created with designer Autum Casey, Research Embodied is an intermedia performance designed for the Great Hall of the Lyndon B. Johnson Presidential Library with musicians performing with amplified books and QWERTY keyboard, footsteps, and movement (in front of a camera-triggered synthesized carillon), along with two large video projections and five actors.
Acoustically, we highlight how the Great Hall amplifies presence in the space. The reverberation preserves instants in time, mirroring the function of a library. Visually, we merge the view of the archives with a glimpse of their contents. Functionally, we scripted and made music form the activities of participants in the Great Hall and scholars in the stacks. Conceptually, we call attention to the union and separation of the public and scholars and the challenges of moderated access to information.