Inspired by Einstein’s paper introducing the special theory of relativity titled “On the Electrodynamics of Moving Bodies,” “Sobre a eletrodinâmica dos corpos de trabalho” offers a time-distorted view of the concrete plant in Quarry Maljoga in Dade from the Viseu Rural archive (the only sound source). It portrays the work as it echoes off the landscape in compressed time, frozen time, and smeared timelines. It is a reflection on the efforts of man-made forces, the persistence of natural forces over time, and the interfaces between them.
Note: Visual and aural clarity is way better in the original than on YouTube, so remember to go to concerts!
This work explores the complexities of the macro-, micro-, and inner-worlds of a walk in the woods. On the largest scale, many people, animals, machines will cross this path over the centuries although today it seems like a new discovery awaiting you. On the smallest scale, delicate sounds of footsteps are seen as catastrophic disruptions of nature’s mise en place. On the inside, such a peaceful environment can allow the wildest range of thoughts to occur, exposing new opportunities, some exhilarating, some terrifying. It is composed using only sounds from walking in the woods near the Avenue of Beehives in Vila Dum Santo from the Viseu Rural archive.
Note: Visual and aural clarity is way better in the original than on YouTube, so remember to go to concerts! The complex audio in this one gets especially fuzzy on YouTube…
An immersive audiovisual composed improvisational environment. The performance is structured to juxtapose horizontal and vertical gestures (e.g., for percussion, rubbing versus striking). All digital sound is sampled from the acoustic instrument live during the performance. All video is a live processed feed of the performer’s arms at work, exploded into full textures that immerse the audience in the sensation of the actions that are causing the sounds they hear.
The voice of the machine / How our devices party when we’re away: Listen to the wide variety of timbres, rhythm, and textures that come out of a simple feedback loop and ONLY a 1 second delay—no other processing besides acoustic effects of the room and moving bodies around the speakers.
Developed while in residency at the Atlantic Center for the Arts, at I-Park, and at the Atlantic Center for the Arts again. Premiered in four channels at the Sound and Music Computing conference (SMC) in Greater Helsinki, Finland.
This is a set of six variations Bach’s Cello Suite No. 1 (BWV 1007), especially the famous opening motive. These silent videos are presented as musical graphic scores, meant to be interpreted more subjectively than traditional notation. Continue reading →