Sobre a eletrodinâmica dos corpos de trabalho

Inspired by Einstein’s paper introducing the special theory of relativity titled “On the Electrodynamics of Moving Bodies,” “Sobre a eletrodinâmica dos corpos de trabalho” offers a time-distorted view of the concrete plant in Quarry Maljoga in Dade from the Viseu Rural archive (the only sound source). It portrays the work as it echoes off the landscape in compressed time, frozen time, and smeared timelines. It is a reflection on the efforts of man-made forces, the persistence of natural forces over time, and the interfaces between them.

Note: Visual and aural clarity is way better in the original than on YouTube, so remember to go to concerts!

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The Magic and the Angst of the Road Not Taken

This work explores the complexities of the macro-, micro-, and inner-worlds of a walk in the woods. On the largest scale, many people, animals, machines will cross this path over the centuries although today it seems like a new discovery awaiting you. On the smallest scale, delicate sounds of footsteps are seen as catastrophic disruptions of nature’s mise en place. On the inside, such a peaceful environment can allow the wildest range of thoughts to occur, exposing new opportunities, some exhilarating, some terrifying. It is composed using only sounds from walking in the woods near the Avenue of Beehives in Vila Dum Santo from the Viseu Rural archive.

Note: Visual and aural clarity is way better in the original than on YouTube, so remember to go to concerts! The complex audio in this one gets especially fuzzy on YouTube…

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Raveshift

The voice of the machine: Listen to the wide variety of timbres, rhythm, and textures that come out of a simple feedback loop and ONLY a 1 second delay—no other processing besides moving my body and objects in front of the speaker.

Developed while in residency at the Atlantic Center for the Arts, at I-Park, and at the Atlantic Center for the Arts again.

Long raw demonstration video of embedded micro-controller version at the Atlantic Center for the Arts in summer 2016:

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Related posts:

Shankcraft, live audiovisual sampling duo with Joe Hertenstein

Animal arms
At work
Like machines

An immersive audiovisual composed improvisational environment. The performance is structured to juxtapose rubbing (horizontal) and striking (vertical) gestures. All digital sound is sampled from the percussion live during the performance. All video is a live processed feed of the percussionist’s arms at work, exploded into full textures that immerse the audience in the sensation of the actions that are causing the sounds they hear.

Performance at the 2016 New York City Electroacoustic Music Festival (NYCEMF) at the Abrons Arts Center in downtown Manhattan.

 

Preliminary proof of concept proposal video:

 

Tell the Story

“Tell the Story” is a study on the misreadings arising from translating among casual speech, print, and digital media, and the not-so-transparent influence of digital media formats.

Premiered at the Electronic Literature Organization conference (in conjunction with DHSI and INKE, so a really big crowd!) created with Elisabeth Blair.

It’s the first featured piece representing the exhibition on Narrabase http://www.narrabase.net/elo2016.html

More info at http://elo2016.com/festival/jeff-morris-elisabeth-blair/

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