In spring 2016, Maiß returned to TAMU on his ZenMan X tour. Inspired by the recent release of performance materials by cellist and performance artist Charlotte Moorman, and reflecting on the fact that her work can now be experienced only through its documentation, often scant and poor in quality, Maiß and TAMU’s students created works of “performance for video”—live performances that consider all aspects of the live moment, created with more than just pitches and rhythms, works that were necessarily written for cello (or cellist) in some way, and whose significant features can still be experienced through its video documentation.
The entire performance is below in program order. Click each composer’s name to read artistic statements and portfolios of research, development, and creative work leading up to the creation of this performance. Continue reading →
An immersive audiovisual composed improvisational environment. The performance is structured to juxtapose horizontal and vertical gestures (e.g., for percussion, rubbing versus striking). All digital sound is sampled from the acoustic instrument live during the performance. All video is a live processed feed of the performer’s arms at work, exploded into full textures that immerse the audience in the sensation of the actions that are causing the sounds they hear.
Do you do live sampling in your improvisations? Join us in the Live Sampling mix on Weblogmusic! Just video yourself playing along with the first track (below), using it as your ONLY SOUND SOURCE, post it on YouTube, and send it to us. Details are at http://weblogmusic.org . To keep the mix pure, even the first track is built by using itself as a sound source: simple acoustic feedback.
Computer improvisers! If a lot of the action during your performance happen’s on your computer’s display, join me in the Screen Capture mix on Weblogmusic! Here’s the first track: just improvise along with it, record your screen (you can edit your hands in too if you like), post it on YouTube and send us the link! Details at http://www.weblogmusic.org/
While modern citizens are busy keeping up with communications technology, they are missing out on many human elements in communication like presence and authenticity. While some say we will get used to life mediated by screens and some prefer to wait for technology to get fast enough so we can recreate some of those human elements, there is value for artists in exploring the expressive potential of liveness as a unique dimension in a performance. Aesthetic concepts are established to show what is lost when a performanceContinue reading →